what's new

What shipped, in the order it shipped.

updated 2026-08-01 · only what's live makes this page

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august · 2026

The Team plan is here: 6 seats for R$ 150/month

Free and Pro are individual plans — they include you and no one else. For working as a team there's now Team: R$ 150 a month with 6 seats, and R$ 25 per additional seat (same price inside and outside the bundle, so growing isn't punished).
Seats are visible in the Company Room, and a pending invite already holds its place — so five links generated at once can't quietly blow past the limit. And if a seat runs out between sending the invite and someone accepting it, the acceptance says so instead of failing silently.

august · 2026

Company Room: who on your team is building — and what closes

A new page for whoever coordinates (Owner and Admin): your team's output per person, how many presentations each one built, how many have a logged outcome, and the team's close rate. People who haven't produced yet show up all the same — a report that hides the zeros lies by omission.
And presentations your agent creates stopped arriving ownerless: they're now attributed to whoever generated the connection key. As always, counts and outcomes only — nobody's slide content is read.

july · 2026

When you fix what the AI built, it learns — no form to fill in

If the agent assembles your deck and you swap the theme, you've just told it — in one click — that its pick was wrong and which one is right. That now becomes learning for your workspace and feeds the next suggestions. Same for the style, and for when you cut the slide count substantially.
With two sanity rails: it only learns what you CHOSE (never what you discarded), and only on the first pass over each AI-built deck — after that the file is yours, and editing is just editing. None of your slide content is read.

july · 2026

What closed now steers what's next: your presentations teach the platform

You could already log how each presentation ended — closed, didn't close, still open. Now that comes back to you: a “What worked” panel in your Profile shows the close rate per theme, plus your most recent presentations with your own note sitting next to the outcome.
And your agent puts that evidence to work when it suggests. The rule is simple: frequency is habit, outcome is evidence — a theme you used ten times without closing counts for less than one used three times that closed all three. It tells you why out loud (“the presentations of yours that closed used this theme”) and it stays a suggestion: nothing applies without your say-so.

july · 2026

Images your agent finds on the web are now checked before they reach a slide

When it hunts down a photo for your deck, the platform vets the link first: it actually exists, it's an image (not the page showing it), and it's big enough for the screen. Too small and you're told it'll pixelate; portrait on a landscape stage and you're told the crop will eat the top and bottom.
The flow is explicit now: it finds, it checks, it shows you the options, and it only inserts once you pick — not least because the right to use that image is yours, not its. And when there's no photo to be had, it reaches for the engine's own drawn backgrounds and frames, which never show up broken on stage.

july · 2026

Your agent settles craft on its own and asks about facts — then reviews its own deck before handing it over

The rule it follows is now explicit: transitions, background rhythm, how many slides, which type carries each idea — it decides those, because that's the work the platform exists to carry. Numbers, names, prices, dates, promises, quotes — it never fills those in: it asks, or leaves the gap visible. And every call it made on its own arrives noted in the handoff.
The deck's quality score now ships with the deck, too: the moment it builds, it gets the score and the shortlist of what would improve the presentation most — with instructions to fix before sending you the link. Before, that check depended on it remembering to ask.

july · 2026

Your agent now knows what it must NOT invent — and stops asking for what you already attached

Before building, it checks the resources: whether your brand is missing, whether the brand has no logo, whether a number showed up with no stated source. Each item comes with a way out — ask you, use a legitimate stand-in (the engine's own backgrounds and device frames, say), or proceed and record the assumption. What it never does is fill the gap with invention.
And the files you attach to a session finally count: if the quarter only exists in the spreadsheet, it reads it from there instead of asking again — and that spreadsheet becomes the stated source behind the numbers.

july · 2026

Your agent now pitches the PLAN before building the deck — and you approve it (or send it back)

Before generating a single slide, your agent proposes the outline: one line per slide, with the type, that slide's single idea, and why it exists. You read it in half a minute on the session page and decide — Approve, or ask for changes with a note the agent reads and replans against.
It's the difference between steering with one sentence and rebuilding thirty slides. The plan runs through the same house rules too (opens with a cover, proves before asking for the decision, no two hero numbers back to back, ~10s per slide) — and those warnings land before any slide exists, not after.

july · 2026

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At the top of this page you can drop your email and get a heads-up whenever something new lands — no account, no spam. Consent is explicit, and you can opt out any time.

july · 2026

In Review, a visual calendar: see the whole month and schedule each piece to a day

The Review tab gained a Calendar view: the whole month on a grid, each piece on its day — the card color shows the state (in progress, approved, scheduled…) at a glance, and today is highlighted.
Scheduling is direct: in the list below the calendar, pick each piece's date (or clear it to unschedule). Switch between Board and Calendar anytime — same queue, two reads.

july · 2026

Take your brand with you: export your Brand Kit as a file and import it into any workspace

In Brands, every brand now has an “export” action: it downloads a .pnxbrand file with your palette, fonts, logos, and references — ready to send to a colleague, another company, or keep as a backup.
And at the top of the page, “Import brand” rebuilds it all from that file, opened for you to review. It's your portable Brand Kit — the same identity, in any account.

july · 2026

A first run that's already yours: a word from the founder and 4 questions that get the panel to know you

When you create your account, a note from the founder greets you along with a quick ask: 4 questions (your goal, how often you present, what you're coming from, and the hardest part). Under a minute — and skippable at any point.
Your answers don't vanish: they land in your Profile as typical audience and notes, so suggestions — in the editor and for the connected agent — start aligned with your style from the very first deck. After that, the first-run guide and the workspace checklist continue as before.

july · 2026

Your Profile becomes a page: what you prefer now guides the suggestions — declared by you, not just inferred

New Profile page in the sidebar: on one side, your usage pattern (the themes, styles, and brands you pick most — computed from your own decks, never from their content); on the other, the preferences you DECLARE: favorite theme and style, tone of voice, typical audience, and free-form notes.
Everything you declare becomes context for suggestions — in the editor and for the AI agent connected via MCP, which now proposes themes and language that follow YOUR profile. And it stays a suggestion: nothing applies without your confirmation.

july · 2026

Honest plans: Free includes 2 full presentations — and coupon redemption is here

The Free plan is now explicit: 2 full presentations (with PDF, public link, and live presenting). The dashboard shows how many you've used; to create a third, subscribe to Pro — or delete an old one to free the slot. No surprises, no fine print.
And Billing gained “I have a coupon”: access codes (like lifetime invites) activate instantly, and discount coupons apply the percentage right at checkout.

july · 2026

In Review, your agent now reads the feedback and delivers the next version — approval stays yours

The loop is closed: the AI agent connected via MCP could already create pieces in Review; now it also READS your comments (with the exact video second or image region you marked) and delivers the V2 — the previous version stays in history, nothing is lost.
The gate hasn't moved: approving, scheduling, and changing status remain exclusively human actions, on the Review link. The agent produces; you decide.

july · 2026

On Pro, the “Made with PÍNAX” seal is yours to toggle — and the offline file now respects that choice

Control of the “Made with PÍNAX” seal got honest: on the Free plan it always shows (the box is checked and locked, with the reason in plain sight); on Pro you turn it on or off whenever you like — the stage, the public link, and the PDF all follow your choice.
And we fixed the offline package (.pnx): it used to show the footer signature even with the seal off. Now the file that opens without internet respects the same control as every other format.

july · 2026

Picking a theme now means seeing it before you apply — and switching styles never silently wipes your transitions again

The theme selector became a list with live preview: click a theme and it shows on the stage instantly; only “Apply” commits, and “Cancel” goes back. You see before you decide, with no risk.
And when you apply a Presentation Style, if any slide has a per-slide transition you set, a clear notice now appears — with the choice to keep your transitions or replace them with the style's. Nothing gets reset behind your back.

july · 2026

“Blend with the background”: cards and charts now belong to the scene, drawing the ambient color of the background

A new per-slide toggle makes cards, panels, and charts read the background's color — the edge of your background photo, the solid color you picked, or the theme accent — and echo it back in a tinted border, a contact shadow, and a subtle wash. Instead of floating like generic boxes, they settle into the scene.
It's understated by design (never loud) and exports identically to PDF and the offline file: when the photo can't be sampled, it falls back to the theme accent — always coherent, never broken.

july · 2026

The editor got sharper: a live preview when you add a slide, and right-click opens the panel for the element you actually clicked

When inserting a slide from the “+”, hover a type and a live preview pops up beside it, with the sample slide animating in — no more guessing from the name.
On the section divider, the properties panel now shows the divider types side by side (numeral, summary, you-are-here, numbered agenda, wheel) — each with its own thumbnail; click to switch, keeping your title.
Right-click on the stage now opens typography for the element right under the cursor, even with large titles nearby — and it keeps hitting the right one as you move from element to element with the panel open.
And title fields got cleaner: no more nagging notices, spacing between words is preserved, and highlighting a phrase with color no longer locks your typing.

july · 2026

While presenting, you always know which topic you're on — and jump to any of them from the stage or your phone

The stage now shows the current topic in a discreet footer indicator; the T key (or a tap on it) opens the overview of all topics, with the current one highlighted — click any and the presentation jumps straight there, with your usual transition.
Same on the phone remote: beyond next/back, you see the current topic and the full list — tap to jump to any section, great for answering an out-of-order question. Topics are just your deck's sections, nothing to set up.

july · 2026

Topic transitions came alive: the wheel rotates from one theme to the next, and the agenda shows everything then collapses onto the current point

The topic wheel now rotates: on advance, the wheel steps forward and brings the next theme to the focus point — chained across slides, it reads like a dial turning topic by topic.
And the agenda gained a Summary → morph mode: on entry it shows all the sections for a beat, then collapses onto the current point, which grows as that section's opening. It's that premium bridge between “where we are in the whole” and “what comes now.” Live only; the PDF shows the final state.

july · 2026

New agenda and topics slides: show the whole roadmap with the current point highlighted, or a wheel that rotates from theme to theme

Agenda / Overview slide, in three formats: giant stacked words (the current one lights up), “you are here” columns, and a numbered row. Perfect to open with the roadmap, or to resume between blocks with the current point highlighted.
Topic Wheel slide: the topics live on a large arc and the active one sits at the focus point, with title and description; the others recede along the curve — the watch-dial aesthetic, elegant and organic.
And the section divider gained metadata: pairs like Region · Asia or Period · 2026 on the side, next to the giant numeral. It all tints to your theme and exports identically to PDF.

july · 2026

Metal and light tubes went more photographic, and a 3D perforated mesh with depth of field

Brushed metal and light tubes are now sculpted by real light: the metal ribs gained cylinder volume (bright on one side, shadow on the other) and the tubes gained a bright backlit core — far closer to a photograph than a drawing.
And the 3D Perforated mesh arrived: a field of holes receding with real depth of field — a crisp in-focus band in the middle, the rest softly blurred, like a camera lens. All tint to your theme and export identically to PDF.

july · 2026

The fluted glass now refracts your photos, and brushed metal and light tubes arrived

Fluted glass now affects the image beneath it: drop in a photo and the glass refracts and frosts its lower part — controllable up to any point you like, keeping the top clean for the title. It's the storefront-glass effect, over your own photo.
Two new backgrounds from the references: Brushed Metal (fluted metal ribs with a diagonal reflection sweeping across the surface) and Light Tubes (vertical backlit glass tubes glowing in your theme's color). Both with optional film grain for that photographic finish.

july · 2026

Fluted glass and more realistic relief: the backgrounds got a finishing pass — and now run edge to edge, no cut-off

New Fluted Glass background: vertical glass ribs that refract a glow behind them, like fluted-glass storefronts — luminous glass in the dark, a frosted luxury glass in the light. It tints to your theme's color and exports identically to PDF.
The relief got more realistic: instead of a uniform surface, it's now dark with light catching only the crests — real peaks and valleys, like the best references. And we fixed an important finish: the relief backgrounds now run edge to edge without ever “ending” before the screen does — like a window onto a surface that continues past the frame.

july · 2026

Backgrounds with real 3D relief: peaks, valleys and textured surfaces that light sculpts — generated on the fly, no image

Three new backgrounds with real dimension: 3D Relief (a dune-like surface of peaks and valleys carved by raking light), 3D Mesh (a grid draped over that relief, like fabric over a form) and 3D Halftone (a field of dots that follows the folds). It's not a pasted image — it's generated live, tinted to your theme's color, and exports identically to PDF.
Each one has a built-in quiet zone: the relief recedes where the title sits, so the texture impresses without ever hurting readability. It's the kind of background you see in product keynotes and hero covers — now yours to pick, in any theme.

july · 2026

Every theme now ships with its own background — and the backgrounds went reference-grade, with real film grain and true haze

Each theme now has a signature background matched to its aesthetic, applied on its own to covers, section dividers and closers: the navy theme becomes a brushed-metal surface; the cinematic one gets a ridge of light in the dark; the editorial ones get a subtle warm haze. Zero setup — and never behind a chart or table, where a background would fight the reading.
The procedural backgrounds were refined to reference-grade: real film grain (not digital static) and a new soft, all-over haze, like the best premium wallpapers. The background library now leads with the most beautiful textures, and a star marks which one is your theme's signature.
And a “Suggest background” button picks the right background for your theme and slide type — the perfect starting point, yours to tweak. It all still exports identically to PDF.

july · 2026

Backgrounds, far more control: a solid color of your choice, a browsable texture library, and image adjustments (brightness, contrast, hue, temperature and blur)

Slide backgrounds gained a made-to-measure solid color: beyond the four house tones, you can now pick any color — and the app decides on its own whether text should go light or dark to stay legible.
The procedural textures became a browsable library: instead of a flat dropdown, a gallery with search and a live thumbnail of each pattern — you see the effect before you apply it.
And the background image got a little treatment lab: blur (to use a photo as a texture bed under the content) plus fine adjustments for brightness, contrast, saturation, hue and temperature (warm to cool). Everything exports identically to PDF.

july · 2026

The wire map is now hands-on: drag any source where you want it, and pick the color of the wires, the nodes and the labels

On the wire-map slide (the one where several sources converge on a hub), every node is now free: click and drag a source — or the hub itself — to the exact spot on the stage, and the wire linking them follows in real time. Override the auto layout whenever it isn't what you want.
And each layer got its own color: set the wire color, the connection-dot color and the label color independently, plus the wire glow strength — from subtle to neon. Put the map in your brand palette, or make one hero wire pop. It all exports identically to PDF.

july · 2026

The template library doubled: 14 templates rewritten one by one + 14 new niches, each with its own language

The 14 reference templates were rewritten one by one — each now has its own topic, data and cover, using the new elements: the board pack brings a before→after scorecard and a capsule pipeline; the investment thesis shows the market in nested layers and revenue × margin on two axes; the dossier numbers its figures; the manifesto draws its method as a flow graph.
And 14 new niches joined the catalog, each in its own theme: Plans & Pricing (neumorphic), Climate & ESG (emerald with aurora rays — GHG scope layers), Clinic & Health (sage serif, occupancy as a tank), Security & Infra (data-room, defense layers), Real Estate (apricot, unit table), Agency Portfolio, Market Intelligence (technical plate), Expedition Brand Film (cartographic HUD), Web3, Clear Consulting, AI Brand, Product Showcase, Deep-tech and Sports & Performance. Every deck is born unique.

july · 2026

Five new elements: pricing table, level tank, capsule funnel, scope layers and matte 3D objects

Pricing/Plans slide: 2 to 4 glass plan cards with a badge (Recommended), checklist and button — the featured plan lifts with an accent ring. The commercial slide that was missing for proposals and sales pages.
Gauge in Tank mode: the indicator becomes a glass column with liquid — the level is the value, with a ruler and a dashed target. And the funnel gained Capsule mode: stages as vertical pills side by side, the key one with a gradient.
Scope slide: nested offset layers (A contains B contains C), each with a pill label on its edge — to show what's covered, layer by layer. And metric cards now accept matte 3D objects (sphere, torus, arrow, cube) as quiet decoration. Everything exports identically to PDF.
Plus nine new procedural backgrounds: Ridge (a faint crest of light at the base of a black field — huge room for the title), Dunes (matte relief), Weave (micro-cells over a fold), Halftone (dot density), Brushed steel, Blinds (corrugated light), Warm light column, Godray (aurora rays) and HUD (cartographic reticle). All switchable off, PDF-safe, and never behind dense data.

july · 2026

The line chart got real: gradient area, multiple series, a second axis, and the growth arrow

The line chart was rebuilt from scratch on a proportional canvas (no more stretching) and gained the operations-room language: a gradient-filled area under the curve, several comparative lines on one chart (each with its own color), a second axis on the right to compare quantities on different scales (e.g. revenue × margin), glowing markers on the points, and a growth arrow at the end of the curve — the classic "up and to the right". All with gridlines, axis labels and X categories. Exports identically to PDF.

july · 2026

New Distribution (Ridgeline) slide: where the weight sits, as a chain of light-peaks

A new slide type for concentration — how volume spreads across categories, and which one dominates. Each category becomes a luminous peak; the one that matters gains height, glow and a reflection, while the smaller ones stay quiet beside it. It's the right chart for "90% of the work is in a single front": instead of a cold bar, a landscape that makes the imbalance obvious in three seconds. Exports identically to PDF.

july · 2026

New Convergence slide: many sources become one catalog, and the catalog becomes command

A new slide type draws the core idea of the agent economy: many sources (spreadsheets, emails, chats, documents, systems) converging along light-wires into a single core — and, if you want, the core radiating out to the outputs (decision, action, report). It's "from chaos to catalog, from catalog to command" in a single image. Unlike the mind-map (which only gathers), this one has direction: input → catalog → command. Exports identically to PDF.

july · 2026

Every new presentation now gets a real identity — never a generic theme just because you didn't pick one

Before, a presentation created without a brand or theme simply inherited a default look, with no heads-up. Now Pínax always asks: when generating from a briefing, each presentation type (board, marketing, investor…) already ships with its own matching visual language; when starting from scratch in the editor or Studio, you pick a brand or a theme — or explicitly confirm you want the house default. Never a generic look by omission again.
We also hardened content validation for decks written by AI agents connected via MCP — one more layer of security on deck writes, with no change to your normal workflow.

july · 2026

The Brand Kit became a hub: logos by role, preferred templates, and the references that shaped the identity

Before, a brand held one logo and a palette. Now it holds a set: separate logos for dark backgrounds, light backgrounds, an icon, and a horizontal signature; the templates that brand tends to use (Pínax now suggests those first); and a small library of references — the site screenshot, the brand guide PDF, the link — that shaped that identity, kept right there instead of being read once and discarded.
And if you generate through your own AI agent (via MCP), it can now also edit an existing brand's composition — swap the palette, the typography, add a logo, or adjust the preferred templates — without recreating the brand from scratch every round.

july · 2026

Your comparison bars can now get real depth and reflection

The 3D bar chart (bar3d) gained an optional real-rendering layer — extruded bars with true environment reflection, the tallest one lighting up in your theme's live accent color, instead of the usual isometric drawing. It's the same real-reflection technology (PBR) already powering the 3D map: runs live, right in your browser, and falls back on its own to the regular drawing in PDFs and on any device without support — never breaks a presentation.

july · 2026

The background now talks to your photo — and you control how much

When you place a photo on a slide, the space around it stopped being generic: Pínax reads the color from the photo's own edge and uses it to light (or cast a contact shadow) around it — the photo starts belonging to the scene instead of just sitting on top of it. The treatment shifts with the theme (some prefer the photo contained with a defined shadow, others prefer it bleeding into a soft glow), always computed from your own image, never a generic color.
And if you don't like the animated background Pínax picked, there's now a "Regenerate" button — rolls a new one within the same Style's character — and a "Lock", to pin what you already like against any future regeneration.

july · 2026

Your brand from an image — upload a screenshot or a logo, Pínax pulls the palette

In the Brand Kit, besides picking seed colors by hand, you can now upload a reference image — a screenshot of your site, your logo, a piece of marketing — and Pínax extracts the dominant colors automatically, ready to fine-tune. It's color math (the same math that already derives the whole palette from the seed), never an AI reading of the image. And nothing saves on its own: extraction only fills in the starting point — you check the live contrast and confirm on "Create brand," same as always.

july · 2026

Prep the meeting, flag the moments that matter, and log the real outcome — right on the presentation

Three connected pieces: before an important presentation, prep it (objective, attendees, expected length) right from the deck's panel. While you're talking, flag a moment with a tap — objection, decision, or follow-up — without looking away from the room. And afterward, log the real outcome: did it close? get approved? still in progress? That's the signal that matters most, and now it lives with the presentation instead of in a separate spreadsheet.
All of it becomes a replay: reopen any finished presentation and see how long each slide held the room and where the moments were flagged — to learn what held attention and what needs to be tighter next time.

july · 2026

Pínax now suggests the theme and brand your workspace uses most

In the editor, once your workspace has a clear usage pattern (from 3 presentations on), a quiet suggestion shows up: the theme or brand you use most, ready to apply in one click — always dismissible, never applied on its own. It's a computed view over your own decks, never a reading of their content, and you can turn it off anytime in Settings → Privacy without affecting any presentation. If you generate through your own AI agent, it gets the same information — to ask with context instead of guessing.

july · 2026

Switching between editing and presenting now has a scene — not a hard cut

Leaving your presentation list to edit a deck, or going straight from a deck to the stage, gained its own transition: the screen settles smoothly instead of snapping over. A small detail that makes the whole platform feel like one place, not disconnected screens. It changes nothing about the transitions between the slides of a presentation — those are two entirely separate systems. Anyone who prefers less motion gets the instant swap.

july · 2026

Review is here for everyone — the content-approval tab, in your workspace

What was in testing is now in everyone's menu: the Review tab, to approve video, social, and carousels without the WhatsApp-group chaos. Each piece opens faithful to the destination feed, the comment is pinned to the exact spot (the second of the video or the region of the image), the flow has six color-coded states, and your AI agent can report the calendar's status (which pieces are approved, which are waiting). Included in Pro, no new charge.

july · 2026

Review: comment by clicking the exact spot on an image, and compare versions side by side

Spatial feedback came to images and carousels: click the exact spot where something needs to change and the comment is pinned there — then click the marker to jump straight to it (the same we already did by timestamp on video). And versioning landed: every new version of a piece keeps the previous one (nothing is lost), and you compare the current with any older version side by side, in the faithful feed frame. Approving stops being guesswork: you point to what, where, and in which version.

july · 2026

In Review, add media by upload, a Drive link — or let your AI drop it in directly

The Review tab gained its media sources: upload an image directly, or paste a Google Drive, Dropbox, or plain URL — the file is referenced, never duplicated, and the preview opens faithful to the destination feed. Best of all: if your AI agent has access to your Drive or storage, it adds the piece straight into Review (the AI is yours; the platform just organizes the approval). And a first-run quick-start guide appears so you begin without getting lost.

july · 2026

Dragging on the stage now has physics — guides anticipate alignment and the element settles

Moving an element on the stage now has feel: smart guides light up before you reach the spot — slide center, safe-area margins, the edges and centers of other elements — and it magnetically snaps there (hold Ctrl to break free). On release, the element settles with a soft landing spring instead of a hard snap. No inertia to fight your aim: it stops exactly where you dropped it. Anyone who prefers less motion gets the snap without the settle.

july · 2026

The readiness panel now knows your goal — and calls out the missing pieces

When you start a presentation from the goal (win an investment, close a proposal, report results, back a diagnosis), that archetype is stored with the deck. The readiness panel then checks for the pieces that goal requires: a commercial proposal with no investment slide, a diagnosis with no evidence, a results deck with no decision asked. It shows which archetype it's checking against, so you know where each warning comes from — and it all stays deterministic, no AI.

july · 2026

The conviction ruler now sees the ORDER of the story — not just each slide

The Conviction Score no longer looks only slide by slide: it now checks the sequence that convinces. It flags when the proof shows up after the close (the room hears the conclusion before seeing the data) and when the deck asks for the decision without having shown evidence first. And when your agent declares the chosen archetype (persuasion, proposal, results, diagnosis), the ruler checks whether an essential piece is missing — a commercial proposal with no investment slide, a diagnosis with no evidence. Still fully deterministic, no AI, free — and the same order check already shows in the editor's readiness panel.

july · 2026

Your AI agent now gets the deck's conviction score — and knows where to improve

When you generate through your own agent (Claude Code, the Claude connector, Codex, Gemini…), it now reads, alongside the deck, the Conviction Score: a 0–100 rating of how ready the deck is to convince, broken into six dimensions — and, most useful, the list of what to fix, with the exact slide and the concrete action. The agent measures, fixes what's weak, and re-checks, on its own, until the deck gets there. The rubric is deterministic and runs for free; the judgment of argument strength stays with your agent. The AI is yours — the platform provides the ruler.

july · 2026

When the presentation is ready to convince, the moment is marked — soberly

The instant your deck crosses the line and is ready to convince (high conviction, no technical points left open), the readiness panel acknowledges the milestone: a single quiet gleam passes across and settles. No confetti, no medal, no “congrats!” — an executive acknowledgment, worthy of the work. In Executive Mode and for anyone who prefers less motion, the milestone stays silent.

july · 2026

Switching editor sections now has motion — the panel slides into place

When you switch between editor sections (Slide, Text, Layers, Data, Animations…), the panel slides gently into place instead of snapping. A small detail that makes the editor feel like a studio, not a form. In Executive Mode the motion is gone, and anyone who prefers less animation gets the instant swap.

july · 2026

The editor breathes now — a living, quiet atmosphere behind your work

The editing space is no longer a dead screen: a very slow, diffuse glow in the brand's color drifts behind the workspace — enough to feel alive, never enough to distract. It's continuous and calm, so it never reads as a status or loading indicator. In Executive Mode it disappears, and anyone who prefers less motion gets the atmosphere held still.

july · 2026

Nothing freezes the screen anymore — confirmations are inline, and undo is generous

We adopted a principle across the whole editor: no blocking pop-up interrupts your work. The confirmations that still make sense (like deleting a brand) became a double tap on the button itself — “delete” → “confirm?” — with no box that freezes the page. Saving is automatic and imperceptible, and undo (Ctrl+Z) covers even dragging and resizing on the stage, one step per gesture. You're never stuck in a dialog, and you never lose work.

july · 2026

The wait to generate a deck now narrates the work — in a working tone

When the AI builds a deck from your brief, the screen no longer shows a mute “Generating…”. It now tells you the real step, in an executive tone: reading the brief and isolating the anchor numbers, resolving genre and setting, laying out the narrative architecture, composing the slides, applying theme and pace. The messages advance and hold on the last one — no cute copy, no fake progress bar. You know what the system is doing while you wait.

july · 2026

Start from the goal — pick the outcome you want, not a form

On the create screen, you now start from what you're trying to achieve: “Win approval for an investment,” “Close a commercial proposal,” “Report on a result,” “Back a diagnosis.” Each card shows a preview of the spine — the sequence of slides it'll build — and one click opens the editor with that structure ready to fill. No questionnaire, no guessing: you pick the destination and the presentation is already on the right track.

july · 2026

The entrance settles in gently — only the first time, and you can skip it

On your first visit to the sign-in screen, the elements settle in with a short, soft cascade — a contained arrival, in the brand's key. From the second time on, the screen is simply there, instant: you don't wait through an animation on every login. And it's always skippable — the first click, key, or scroll settles everything at once. Anyone who prefers less motion gets the static screen, straight to the point.

july · 2026

The editor's lists now answer to your touch — items are born, items dissolve

Small gestures that make the editor feel alive: when you add an item to a list (cards, points, steps), it's born with a soft spring instead of just appearing; when you remove one, it dissolves — shrinks and fades — instead of blinking out. It's quick, understated, and never breaks your rhythm. Anyone who prefers less motion (or runs Executive Mode) gets the instant swap, no animation.

july · 2026

A pre-flight check before you present — “ready to convince”

The Readiness section became a pre-flight screen: in one place it brings together the deck's conviction (density, hierarchy), the reading (no animated background competing with the data) and technical readiness — pace and estimated time, opening and closing, fonts loaded, the closer's QR, and the offline backup. When it's all solid, it says the line that matters: “Your presentation is ready to convince.” Nothing blocks — it's counsel at the moment of highest tension, seconds before you present.

july · 2026

Executive Mode — the editor goes calm when you want focus

A switch at the top of the editor: turn on Executive Mode and the interface recedes into a sober surface — less color, less noise, less motion — for when you just want to think and decide. Your presentation keeps its real colors on the stage; only the editor goes calm. You flip it on and off instantly, and it remembers your preference. Nothing is guessed: the screen only changes because you changed it.

july · 2026

The camera gained depth — selective focus where the device can handle it

Beyond push/pull/focus, impact slides now have a camera with DEPTH: the slide's background sits slightly behind while the number or title snaps sharp — a cinematic selective focus. It only turns on where the device can handle it (an automatic capability check) and, where it can't, falls back on its own to the simple focus — never stalls, never vanishes without explanation.

july · 2026

A camera for your impact slides — push in, pull back, focus

Cover, section, number, and closing slides can now carry a live camera gesture: push-in (a slow, cinematic zoom), pull-back, or focus (the slide enters slightly blurred and sharpens). It's the weight of a keynote — and the engine NEVER applies it over a chart or table, where a moving camera would compete with reading. In the PDF and with “reduced motion,” it all stays still.

july · 2026

Backgrounds that respect the eyes — and warn when they compete with the data

Background motion now has a safety cap: no pulsing glow exceeds the recommended flash limit (the WCAG photosensitivity guideline) — per slide, and the system's “reduced motion” preference freezes it all. And when you put an animated background behind a chart or table, the editor gives a gentle nudge: the ambient competes with reading there — “none” or the subtle grain work better.

july · 2026

One visual that transforms across the deck — card becomes chart becomes KPI

Now a card, a chart, or a KPI can TRAVEL and transform from one slide to the next, like a single object moving through the presentation — not loose jumps, a metamorphosis. In the Animations section, the “Chain” panel shows the sequence (e.g., Bento → Chart → KPI) and lets you link this slide's visual to the previous one in a click. Live; in the PDF, each link shows in its final state.

july · 2026

Slides that become one scene — the background doesn't cut

Mark consecutive slides as “continuous scene” (in the Transitions section) and the background stops cutting on the change: it flows from one slide to the next while only the content shifts on top — the feel of changing scene, not changing slide. Works best with a shared animated background. Live; in the PDF, the normal cut.

july · 2026

Tune the motion slide by slide — from restrained to grand

Each slide now has its own motion-intensity control, in the Animations section. By default it inherits the deck style's tone, but you can make a slide more restrained or more grand with one nudge — and each element is still fine-tuned on its own. It's the right hierarchy: the style sets the tone, the slide adjusts the scene, the element nails the detail. One click goes back to inheriting from the deck.

july · 2026

A cinematic opening for your cover

The cover can now have an opening sequence: your monogram blooms in the center (or a curtain rises) and only then does the title appear — the weight of a tech keynote's opening. Turn it on with a click, choose the choreography and the symbol, and preview it right in the editor with “live” mode. No sound (never surprises the room). In the PDF and thumbnails, the final cover shows straight away.

july · 2026

A QR on the closing slide — the audience leaves with the action in hand

The closing slide now takes a QR code with a call to action: write the link (your proposal, your WhatsApp, a booking page) and the QR appears ready beside the closing text. It's the bridge from the stage to the next conversation — the audience points a camera and takes the next step. It renders the same on stage, in the PDF, and in the offline file.

july · 2026

Styling a stretch of text is now easy — color, font, and size, no fumble

Select a piece of the title or body and paint it with a brand color or a custom one, switch the font for just that stretch (display, body, or mono), make it bolder or resize it. The selection no longer slips away when you click the style bar — what used to apply to nothing now lands on the right stretch. And per-stretch font, which was missing, is here.
The AI-key notice stopped getting in the way: when it shows, it clears on its own and the moment you start typing again — your writing flow stays clean.

july · 2026

The editor now responds — every gesture has feedback

Motion OS has begun: the editor came alive to the touch. Every button dips slightly when clicked, the selection outline pops in when you pick an element, the typography panel eases in instead of blinking, and a freshly added card slides into place. Millisecond details, with the same signature across the whole interface — the difference between “has animation” and “feels like a premium product”. All of it respects the system's reduced-motion preference.

july · 2026

See the motion while you edit — and color every element

New “live” button in the editor: turn it on and the stage actually runs while you edit — card loops, hover, video, and the 3D object come alive right there, without entering presentation mode. Judge the movement before you save, in real time.
And the nested circles (TAM/SAM/SOM) gained per-ring color and an entrance animation — each circle grows from the center in a cascade. The same per-element color reached the KPI quadrant too: pick each cell's tone (it tints the sparkline and the number).

july · 2026

An object of light in the dark — in real 3D

The 3D luminous object is here: a metal sculpture (or an orb) that catches the light's reflection and glows in your brand color, behind the content — that tech-keynote cover touch. It's real 3D, with physical reflections, not a drawing. Pick the shape (sculpture, ring, or orb) and, if you like, let it spin slowly. It shines on dark covers and closers; repeat it on the next slide and it seems to travel through the transition.
It bows out when it shouldn't add weight: in the PDF, the offline file, and thumbnails it becomes a halo of light in the same spot — nothing stalls, nothing breaks.

july · 2026

Three more from the re-analysis: market circles, an LED screen, and a cinematic style

Nested circles (TAM/SAM/SOM): a clear way to show the size of the opportunity — three circles that contain one another, from the total market down to what you can actually capture, with the reachable slice highlighted. The market-sizing slide you were missing, different from bubbles or sonar (which say something else).
New Stage / LED framing: give a cover or closing slide the feel of a giant screen in a dark auditorium — a screen glow and a room vignette, without overdoing it. Keynote impact in one click.
And a new style, Aurora Orbit: a dark backdrop with a breathing object of light, slow cross-dissolves, and the hero number blooming into place. For pitches and launches with a cinematic feel.

july · 2026

From studying the world's best decks: a KPI quadrant, a lit card, and a calm theme

The KPI quadrant is here: a results board where each cell shows an indicator's BEFORE → AFTER, with a sparkline and the change already colored — a drop in cost or time shows green, because lower is better. The pilot-results slide you were missing: the whole story at a glance.
New “Lit” finish: the slide's most important card is backlit — a glow coming from behind it — while the rest recede. The eye goes straight to what matters. Works in light and dark themes, and exports the same to PDF.
And a new theme, Eucalyptus: desaturated sage + coffee with a warm serif — calm and premium, for accounting boards and institutional decks that want restraint without coldness.

july · 2026

Editing an element is now direct: double-click and the right editor opens

Double-click an element on the slide — a chart, a flow node, a canvas block — and the editor jumps straight to the section that edits THAT element (Cards & Charts for data, Text for a loose box). No more hunting for where to make the change.
Selection now calls each thing by name: click a flow node and the tag reads “Start” or “Condition”, not an internal code. And right-click opens the typography for the exact element you clicked — always the right one.

july · 2026

A new type: the Flow — Start → Condition → Action

The Flow arrived: a process graph where you draw nodes — Start, Condition, Action, End — connected by glowing curved lines. It's the way to show how something works: an automation, a journey, a decision pipeline. Each node has its role (Start takes the brand accent, Condition gets the diamond) and you place each one wherever you want.

july · 2026

The canvas got charts — and more control over every block

The free canvas now takes CHARTS: drop a mini line chart (with a filled area) or a bar chart anywhere on the slide and build a full summary panel — numbers, cards, and a chart together, each where you want it. The findings panel that was missing.
And every block got more controllable: choose the card's surface (glass or paper) and manage depth with bring to front / send to back. All draggable on stage, rendering the same in the PDF and the offline file.

july · 2026

Free canvas — compose one slide from many elements

The free canvas arrived: a canvas-slide where you place several elements — numbers, cards, and text — freely, dragging each one wherever you want. It's the answer for the summary slide, the panel, the dashboard: when the whole needs to appear at once, not one idea at a time. Add a block, drag it into place, edit its content in the panel. Magnets snap it into alignment (hold Ctrl to release).
The rest of the platform stays true to the one-idea-per-slide doctrine — the canvas is the deliberate exception, for when you need to compose. It renders the same on stage, in the PDF, and in the offline file.

july · 2026

Pick the right chart in one click — and bring the cards to life

The Elements section became a real catalog: pick from the chart and visual types — number, comparison, trend, composition, geographic, process, product, grid, media — and the slide becomes that visual, already carrying example data to edit and preserving the context (title, background, notes). Before, you could only edit what was already there; now you insert the visual you want.
And cards got their own look and motion: surface (glass, paper, faded), looping movement (float, sway, tilt, glow…), and hover effects (lift, glow, tilt, reveal — the last one focuses the card under the cursor and pulls the others back). Everything in its place: what belongs to the slide (background, frame) stayed in the Slide section; what belongs to the card went with the cards. Stage and web animate; the PDF freezes.

july · 2026

Backgrounds with depth — and a grain that gives them soul

Four new backgrounds arrived, all procedural (the engine draws them — no heavy image) and true to the new brand: Granulado, a calm near-black base with a blue glow and film texture, safe behind any content; Ripas, vertical light blades for a striking cover; Contorno, a single thin light line on absolute black, for the stage and the LED wall; and Líquido, dark curves with a rim of light, in the spirit of a keynote.
And film grain became its own control: a slider that adds texture to the background — subtle when the brand wants restraint, more present when the cover wants character. It all renders the same on stage, in the PDF, and in the offline file, and respects anyone who prefers less motion.

july · 2026

A number that tells you whether your deck will land

The question nobody answered — "does this convince?" — now has a score. The editor gained a Readiness panel: a 0–100 rating that measures your deck against the house doctrine on six fronts — clarity, hierarchy, structure, focus, contrast, and motion. No opinion, no AI: it's the same math the best presenters run on instinct, done for you by rule.
And the most useful part isn't the number — it's the fix list that comes with it: each one names the exact slide and gives the action ("mark the number that matters as the hero", "this slide has 52 words, the line is 40"). Click and the platform takes you straight to the slide. It never blocks a thing; the presenter decides. When it's solid, the score says the one thing you want to hear seconds before you walk in: your presentation is ready to convince.
Building through the connected AI benefits too: the AI now knows that same rubric before it writes, so it aims for the deck that convinces — not one that just fills the screen.

july · 2026

A new face — and an editor that coaches your composition

The platform put on the new PÍNAX identity: near-black, a single electric blue used sparingly, and lighter type — the weight comes from size and space, not from bold. Less color, more focus.
And the emphasis in your lines (that one word that gets color) is now yours to set: pick your accent color and it paints the highlights across the whole deck, no code required.
In the editor, a composition coach: as you build, the platform gently flags when a slide has too many equal-weight points, when it lacks a hero number, or when the accent shows up in more than one place. It never blocks — it advises, you decide. The same doctrine PÍNAX preaches, now taught right on the canvas.

july · 2026

New ways to show a number — and charts that glow

There are new ways to present data with impact: a line chart can show the value at each point — or just the points, no numbers, when what matters is watching it climb or fall — and the curve can pick up a glow, the market-report look.
Two proportion visuals: luminous rings, where the lit part of each ring is the value itself (33%, 48% and 67% side by side), and spheres — balls with real depth whose size grows with the number, for when a breakdown needs visual weight.
And the glass panels got more refined: the light comes from above and the depth is layered — it reads like real glass, not a translucent rectangle.
Three more formats landed: the tabbed card, where one screen shows the problem on one tab and the fix on the next (the arrow flips through tabs before advancing the slide, on both the console and your phone); the wire map, where several sources converge on a central point through lines that glow — for when everything integrates into one place; and the product card, a glass frame with metric pills and a mini bar chart (one bar lit, plus the average line) — the way to announce a feature or a case.

july · 2026

Every template speaks its own language — and your brand paints the whole deck

Visuals are no longer the same layout in fresh paint: each one now composes its own way. The Dossier became an audit document — ledger rows, a section index, the chart as the argument, zero color; Swiss Paper became a poster — colossal type, forecast columns, black on white. The narrative stays the same (one idea per slide); it's the visual that gained an accent.
And when you have a saved brand, it now governs the whole deck from slide 1 — the color, the typeface and the signature become truly yours. Building through the connected AI, it also suggests the look your content calls for: a sober consultancy doesn't get the same face as a launch — no more one-size-fits-all.

july · 2026

The AI now proposes instead of just asking — and learns your taste

When you build a deck by talking to the AI (through the MCP connection), it now arrives with a proposal: it reads your brief, works out what kind of presentation this is, and suggests the structure, the look, the motion and even what to animate — always explaining why, and asking one thing at a time. The final word is still yours; what changes is that you no longer get a list of options thrown at you when you came for help.
And it learns: your organization's choices become preferences, so the next conversation starts already knowing your taste — as a bias, never as a rule. If you don't have a brand, the AI can build one: the palette is derived by color math and goes through the same legibility checks as the rest of the platform — an unreadable brand never ships.
In the editor: set up one element's animation and want it on the others? One click applies it to all (your dragged position is preserved). Two new transitions arrived — Blinds, which opens in slats, and Focus, where the slide arrives blurred and resolves. And each element can now take its own surface: paper, texture, or faded — the last one to make the context recede so only the essential stays in focus.

july · 2026

Every look now has its own geometry — not just different colors

Until now, switching looks changed color, type and motion — but the shape stayed the same. Now each one carries its own geometry: Swiss Paper and Dossier have square corners and heavy rules; Sereno and Showcase have soft, wide-cornered cards; Boutique has almost no frame at all, because the weight lives in the serif. Even the size of the display type shifts — Stage Violet carries the most colossal numeral, Editorial the densest.
And two missing looks arrived: Poster (flat color blocks and heavy black type — no gradient, no shadow, no rounded corner: it's a poster, not an interface) and Duotone, built for decks where photography leads and everything else steps aside. That's 23 looks and 111 starting points.

july · 2026

Panel Mode: your deck now understands what an LED wall is

An LED wall isn't just a big monitor — and the platform now treats it as what it is. Declare the screen as LED and the engine adjusts on its own: white stops burning (at 1,000 nits pure white bleeds light and tires the room), black lifts a notch (otherwise module noise and the seams between panels show), thin rules thicken (a 1px line falls between two LEDs and flickers) and subtle motion switches off (panels have high persistence, so fine drift becomes smear). Glow stays — glow doesn't smear.
Four composition patterns pulled from real references also landed: the number inside a pill that bleeds off the edge, the timeline as a numbered stepper, fully rounded bars, and registration marks — the printer's proof corners that say “this is a document”.
Plus four new narrative structures — Brand Film, QBR, All-Hands and Research/Whitepaper — taking ready-made starting points from 77 to 105.

july · 2026

Ten new looks — and starting points jumped from 30 to 77

The visual library nearly doubled: 21 themes and 26 styles. Among the new ones — monochrome Noir (black, a serif, and a number that glows, with no color at all), Swiss Dossier (zero color, the chart as the argument), Showcase Light (where color doesn't paint, it illuminates), Stage Violet, Night Mint, Clear Azimuth, Neon Flow, Commercial Ember and Radiant Lime.
Each has its own palette, typography and motion — not the same cover repainted. And since every look combines with the narrative structures, ready-made starting points went from 30 to 77: from a sober board deck to an LED wall, it's easier to find one that already looks like you.

july · 2026

The brand is in from slide 1 — choose it right at the start

When you open a new presentation, the platform now asks up front whether you want to use one of your saved brands. “No brand” is still the honest default — but now it's a conscious choice, not an oversight.
Picked a brand? The footer signature fills itself in with its name, and the palette, font and logo start driving the deck from the very first slide. Switching brands rewrites the signature — without ever erasing text you typed by hand.

july · 2026

The transition's timing is yours now — duration and curve, per slide

Each transition can have its own duration and its own motion curve: a sharper, faster zoom on a divider, a slow soft fade on a breather. The pace used to come only from the theme; now you tune it slide by slide — and one button applies the same timing to all at once.
The adjustment is faithful: what you see in the editor's “Play” is exactly what comes out when presenting, in the public link and in the offline file.

july · 2026

Paint a single word — color, weight and size on the exact stretch you pick

Select a word in the title (or any text) and give it the brand color, bold, or a bigger size — without touching the rest of the sentence. The highlight used to be one flavor; now the control is over the exact stretch, with a little bar that appears while you edit.
It's controlled on purpose: colors come from the theme palette (or a tone you choose) and size is capped — no text that runs away. And the refinement travels with it: it looks the same when presenting, in the PDF and in the offline file.

july · 2026

Cards and charts with color and depth — the fine control that was missing

Every card in a bento can now carry its own color: an accent bar and a tinted number that always stays readable (the platform anchors the tone toward dark so it never fades into invisible text). It's the difference between a panel that's merely tidy and one with real color hierarchy.
Charts got their own accent color — pie, funnel, gauge, bars and the map: pick the brand color of the moment without depending on the theme. And the 3D map surfaced the controls that only lived under the hood: move the camera in on a region as you advance, the duration of that move, and a metallic relief layer with real reflections for the highest-impact moments.

july · 2026

Your phone is now a real remote — with a stage clock and highlights at your fingertip

Beyond next and back, the phone now has a stage timer: it starts on its own when the presentation opens, and you pause or reset it with a tap — pace in hand, no glancing at a clock.
And you can drive the highlights straight from the phone: when a slide has cards or items, they show up as buttons — tap one and the stage spotlights that element instantly, no need to step through in order.

july · 2026

A public link that presents itself — when you want, at the pace you want

The public link (/s) got a self-running mode: turn it on in the editor and the link opens already presenting, advances on its own and stops on the last slide — made for a webinar, a kiosk, or sending to whoever missed the room. Whoever opens it can pause anytime.
The timing is yours: one general pace for the whole deck and, when you need it, a per-slide time — hold longer on a dense chart, breeze past a divider. And by default the link stays put until the viewer hits “auto”: the platform never promises an autoplay you didn't switch on.

july · 2026

Text always legible — a slide can no longer ship with invisible type

Light text on a light background (or vice-versa) simply doesn't pass anymore: on save, the platform catches the illegible color, reverts to the theme's correct color and tells you what it changed. Applies to everything — decks by hand, by your AI, or via the connector.
We also fixed two old spots where chart numbers and diagram labels could vanish on light slides. And an automated check now runs on every build, guaranteeing all 11 themes are born legible on all three backgrounds.

july · 2026

Reorder cards and items by dragging — and phone control is now instant

You can now reorder a bento's cards, a list's items, a chart's bars and a map's points: a ⠿ handle shows up next to each — just drag. The highlight and fine position nudges follow the card, not its old slot.
Controlling the presentation from your phone is now instant — the slide moves on tap, no more half-second wait. And two quick taps count as two, instead of collapsing into one.

july · 2026

Edited and saved? It shows up right away — and the deck screen got simpler

Fixed a problem where a saved edit sometimes didn't show when you presented right after — the change now applies the first time, no reload needed.
The deck screen no longer has four buttons that looked alike: now there's one clear one — Present — with the variants (second monitor, screens & LED) tucked into a menu, for when you need them. Export collapsed into one place too.

july · 2026

Controlling the presentation from your phone now just works

Before, you had to go through a setup screen for the phone to drive the slides — and even then it often didn't catch. Now every presentation is born ready for it: press C on screen, point your phone's camera at the QR, and advance from your pocket.
The phone now tells the truth about the connection: it shows "live" only when a presentation is actually open on the other side, and "looking for the stage…" when there isn't. No more that fake "it worked" when nothing happened.

july · 2026

Pínax is now a Claude connector — paste the address, sign in, done

Plug Pínax into Claude (web or app) as a connector: it sees your presentations as tools and builds the deck mid-conversation, without you leaving the chat.
No key, no code, no secret to paste: you paste one address, hit Connect, and a screen of ours asks for your permission — like signing in to any site. Claude never sees your password.
You pick the workspace as you authorize, and the permission respects your role: a viewer grants read-only even if the app asks to edit. Disconnect whenever you like.
Prefer the terminal? Claude Code, Cursor, n8n and your own agents still connect with the platform key in Settings → Connection. Both paths hit the same server with the same tools.
Connection now lists every connected app — when it joined, when it last ran, whether it can edit or only read — and disconnects any of them in one click.
All 11 themes now work for your AI too: Boutique, Mercury, Swiss, Product and Atelier existed in the platform but were rejected whenever an agent asked for them. It can pick any of them now.

july · 2026

Forgot your password? Now you fix it yourself, in under a minute

New "Forgot password" screen on login: enter your email, get a link, set a new password — no need to contact anyone. The link is valid for 1 hour and works only once.
For security, resetting your password ends every active session on every device right away — you sign back in with just the new password, everywhere.

july · 2026

The engine learned film physics — and the editor got a command console

The 3D map camera truly FLIES now: instead of sliding in a straight line, it travels a crane arc with perceptually honest zoom steps — and on state-to-state flights it pulls back slightly mid-journey before diving in, the way a documentary would.
Ctrl+K in the editor opens the command palette: type to jump to any slide, add any slide type, duplicate, undo, play, save — hands never leave the keyboard. Full arrow-key and screen-reader navigation.
New Liquid transition: the next slide flows over the current one in merging blobs. Plus Focus Reveal: the photograph arrives blurred and resolves as the slide settles.
Two new living backgrounds: Current (a field of points drifting like slow water) and Breathe (a gradient that breathes in YOUR brand's colors — never a fixed palette).
Automatic micro-typography: on save, straight quotes become curly, three dots become an ellipsis, a loose hyphen becomes an em dash — across everything you write, without you thinking about it. Conservative by design: it never touches links, numbers or compound words.
Color blends in charts and photo treatments now interpolate in perceptual space (oklab): the midpoint between two colors no longer sinks into darkness — the invisible detail that separates web from cinema.
The brand editor gained APCA contrast (the foundation of the upcoming WCAG 3) alongside WCAG: the correct contrast reading for light text on dark backgrounds — exactly where your presentations live.
And typography took a breath: small text renders at the correct optical size, headlines never strand a lone word, body copy hyphenates in the deck's language (PDF included), and the Atelier theme unlocks Fraunces' own expressive axes.

july · 2026

The everyday slide got serious — and your account got a glass door

New mockup slide: declare the device (iPhone, laptop, desktop or browser) and drop in the screenshot — the engine draws the vector frame around it, subtle tilt and contact shadow included. The most common slide in any product pitch, now native: no more pasted iPhone photos.
Treated photos: any background photograph can wear the deck's palette (restrained duotone + grain + vignette) and pick up a slow documentary-style pan (Ken Burns) on dwell slides. Plus chromeless video: the clip becomes part of the composition — no player bar, no buttons — and the PDF freezes on the poster.
Live screen inside a slide (beta): during a training session, stream a window from this machine INSIDE the presentation — the demo happens without alt-tabbing, and stopping is one click.
The 3D map now introduces itself: as the camera closes in on a state, the names of regions with data fade in quietly over the floor — clean from afar, self-explanatory up close.
Sign-up with real email verification and real consent: you check what you accept (Terms, Privacy, age of majority — and marketing is opt-in, never pre-checked), every choice is recorded with version and date, and the confirmation link lands in your inbox.
Privacy portal in Settings: export your data in one click, review your consent history, change your marketing choice anytime — and actually delete your account (along with your organizations, when you're the only member).
Terms of Service and Privacy Policy published (final legal review in progress, and labeled as such) — with the legal basis explained per purpose, a DPO channel and response deadlines. And the cookie banner tells the truth: only essential cookies exist today, and the banner says so.

july · 2026

The site became a presentation — and the Founder offer changed

The home now behaves like the product: sections arrive like slides (scroll-driven horizontal transitions), use cases pile up and open onto a clickable stage, and the console + phone are LIVE demos — click Advance and the stage beside it actually obeys.
The signature demos itself: a name gets typed and the cursive draws itself, with the stamp settling at the end. And the AI chat now closes on the LIVE Brazil map, camera easing into the state — not a screenshot.
The Pro pricing card got dark solid glass with a living gradient, a glow that follows your mouse, a magnetic button — and the numbers count up smoothly when you switch monthly/annual or R$/US$.
Updated Founder offer: permanent badge, 1 month of Pro free, EVERYTHING that exists today unlocked for life, and early access to new features — for the first 1000.
Simpler AI rule: any agent that speaks MCP or has an API key can already build decks here.

july · 2026

Built for YOUR screen — big desktops are first-class now

On large monitors (and at the zoom level you actually browse at), the whole platform now scales with you: no more narrow column stranded in the middle of the screen — the editor, the preflight and the dashboard grow in proportion.
The site breathes again: on tall screens, every idea owns its own screenful — the scroll journey reads as a sequence of scenes, not a cramped corridor.
And the editor is pixel-steady: filmstrip thumbnails and the stage open at the exact scale from the very first frame — no more mis-sized flash while loading.

july · 2026

One presentation, many screens — LED walls included

Screens & LED in the preflight: pick the stage's shape (16:9, 21:9 wide, 9:16 vertical totem…), the audience distance (content scales up to read from afar), and split the canvas across up to 4 physical screens. Each screen opens its own link (QR) and FOLLOWS the presenter on its own — transitions play on every slice, in unison.
If a screen drops off the network, it doesn't freeze: it holds the slide and realigns by itself when the connection returns. A screen never commands — it only follows (control stays exclusively with the presenter).

july · 2026

The brand got a home of its own — and the whole platform speaks English

The brand guide became a living page at /en/brand: the principles, the Alexandria Blue palette with click-to-copy hex, the real golden-ratio type scale, and the Π monogram rendered across all 11 themes straight from the product's engine — not images, the registry itself (change a theme in the product, the page follows). Brand files ship as downloadable SVGs.
The ENTIRE platform now speaks native English — dashboard, editor (down to the last typography panel), emails, and the public sample deck in English. One click on PT | EN in the sidebar switches everything; Portuguese remains the default. YOUR content (titles, briefings) is never translated.

july · 2026

Closing the deal became part of the presentation

Real depth on the site: sections now have layers moving at different speeds on scroll (disciplined parallax — subtle, never queasy), cards respond in 2.5D to the mouse, and device frames tilt gently while the content lives inside them. All of it switches off if you prefer less motion.
Living Gallery: a new slide type where cards move ON THEIR OWN — real physics (they drift, breathe, and ease to a stop when you focus a card). Perfect for a breather, Q&A or portfolio moment: the presentation stays alive while you talk. In the PDF, it freezes on the center card.
The site's theme gallery got the same physics: it drifts by itself, drags with real momentum (let go and it keeps going, braking like a physical object) — and the theme at the center is always the hero.
The site speaks native English: home, pricing, story, docs, guide, changelog and support transcreated under /en (rewritten by concept, not translated), with USD pricing, live demos in English and a PT ⇄ EN switch in the nav. And the engine went polyglot: numbers, count-ups, odometers and charts follow the deck's language.
Pínax Package (.pnx): your whole presentation in a single file — opens with a double-click in any browser, no internet, nothing to install, with ALL the motion (transitions, spin, odometer, choreography, map). Send it by email or thumb drive; what PowerPoint exports frozen, this ships alive.
Spin (3D flip): beyond Magic Move, an element can now FLIP between slides — a two-faced object revealing its back, with light peaking at the apex. For topic changes; morph remains for the same data evolving.
Odometer on the hero number: every digit is a mechanical reel that slides and LOCKS into place — the rightmost settle first, like a Solari board. For the result that deserves physical weight.
Living transition gallery in the editor: options demo themselves in miniature (a wave sweeps the shelf) and the ones that fit YOUR slide come first, marked with ✦ — the same hint the AI receives.
Transition choreography: different elements behave differently in the SAME change — the number resolves first, the background morphs underneath, the label confirms last. With ready-made recipes, each layer on its own clock.
Ambient tilt: a photo or 3D object can breathe subtly while the slide is on screen — life in a still slide, never competing with the content.
Your AI, your bill: Billing now shows the month's real AI spend (tokens × YOUR provider's price) — money Pínax never touches, with an honest estimate of what a market markup would have cost you.
Signature on the last slide: in a public proposal, the signing QR appears when the presentation ends — the client signs on their phone (the cursive draws itself as they type) and the PDF comes out stamped.
Public feedback board (in Support): suggest, vote and track status — what rises becomes priority.
New site in 5 acts, with the platform's real engine running inside the page (no mockups).

july · 2026

Honest monetization + The Guard

Pro plan at $9/month — it pays for the platform, never for the AI (which is yours, through your key).
Genuinely free: unlimited no-AI decks + 5 AI generations per month via your agent.
The Guard: permanent security auditing — RLS isolation, anti-SSRF, rate limiting, encrypted keys — with suites that run on every deploy.

june–july · 2026

The presenting engine

11 themes and 16 motion styles, from the sober boardroom to the cinematic stage — and your brand overrides any of them.
Magic Move (continuity): titles and numbers travel between slides, on the theme's spring.
3D map with a live camera (the geographic zoom advances with the arrow key) and an optional WebGL layer.
Preflight console + phone remote via QR — present with no cable, no app.
Faithful PPTX export (native, editable shapes), free PDF, and a leave-behind Document with DOCX.
MCP connection: Claude, Codex and Gemini create and edit decks with narrow-scope per-session keys.

what comes next? the public board decides with us